Friday 27 April 2012

My writing and editing portfolio for Radia magazine 2011; including interviews, fashion news, opinion and travel pieces

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Galliano’s Fall from Grace.

“I love Hitler,” John Galliano, former head designer at Christian Dior.

“People like you would be dead. Your mothers, your forefathers would all be fucking gassed." (Aimed at two women Galliano assumed to be Jewish.)

Not the usual quotes you see referenced from one of the fashion world's most revered designers. As the recent media frenzy surrounding John Galliano’s anti-semitic remarks proves, the higher you climb, the further you can fall.

Fashion and politics have been successfully combined on many occasions in the past.
Vivienne Westwood and Katherine Hamnett’s humanitarian and environmental views are a huge influence upon their work as designers. As a result of this they are admired by fashion followers the world over. However, disgraced Galliano’s recent politically inclined outbursts have destroyed his reputation as fashion genius, and replaced it with that of an aging, bigoted, fool.

Forced to step down from his post at Dior and with self-named brand's catwalk show cancelled. Galliano has been threatened with 6 months imprisonment and fines of up to 22,500 euro's. Galliano has now become the celebrity face of anti-semitism and racist behaviour to the world’s media.

Galliano has compromised his success and lost the respect of millions, whom once would describe him as one of the most passionate and important fashion designer’s of his time; a true ingénue.

Galliano (now said to be in rehab) has a long and difficult road ahead of him if he is to regain his status and prove himself as one of the worlds finest couturiers. It is sad to think that everything he has created, all the beauty and imagination, is now tarnished due to his ugly opinions, lack of self control and inflated ego.

By Leah Olivia Stone.

Opinion Piece-

Travel Piece-
I heart MCR.

As a newcomer to living and working in Manchester, I am constantly on the look out for interesting places to shop, eat, drink and take in a little bit of culture. I fear that many visitors to the northern capital struggle find places that are a little off the map and fail to venture away from Deansgate and the Arndale shopping centre.

 However if you take friendly recommendations and venture just outside of the main shopping areas, you may find yourself at a £3 thrift store, a bar that will serve you a quality cocktail for under a fiver, a restaurant providing oriental cuisine in a quiet,intimate setting that you would struggle to find in china town or sitting back and watching a movie at a tiny art-house cinema.

Shop

A hot spot for vintage shopping; Oldham street just off Piccadilly Gardens is a fantastic place to find quality items without the usual high price tag. Home to the aforementioned £3 or less thrift store (recent finds include a men’s Yves Saint Laurent Blazer) and Pop Boutique (selling vintage and new men’s women’s and home wares) which also boasts retro hair salon Barbarella (where you’d have no problem requesting a Bettie Page or a Morrissey) and the ‘Sweet Tooth’ cupcake and coffee shop.

Oldham Street is a perfect pit stop for those who love to hunt out a unique and timeless bargain!

 Nestled amongst the many vintage stores on Oldham Street you will find the marvellous MAGMA book shop. A must visit for any discerning creative mind MAGMA is a simple and brightly lit store filled with every stylish coffee table book and editorial magazine your heart could desire; all of them filled to the brim with art, design, photography and fashion.

Eat & Drink.

When looking for somewhere to eat out I want quality, fresh food in a relaxed atmosphere that is affordable but has that little extra something.

When referring to Font bar (with locations in Fallowfield and on New Wakefield st off Oxford rd) that little extra is the walls covered in illustrations and artworks, mismatched chairs and light fittings, the latest in music and delicious cocktails from £2-£4.

Another place I stumbled upon entirely by accident is Red Chilli ‘the finest in Beijing and Sichuan dishes’, 403-419 Oxford Rd.

Wait for a table in the marbled reception area and quickly get shown through to a beautiful sunken dining room dimly lit by silk lampshades with tentacle-like crystals dripping around the bulb. Old world mahogany tables and carvings and a rich red wine colour scheme add to the feel of eastern luxury. The menu varies from simple (delicious dim sum and noodles) to adventurous (peppered frogs legs!). Relax and enjoy from a selection of imported beers or a glass of rioja while the wait staff cater for your every need and package up any leftovers for you to heat up and enjoy the next day. It is the last thing you’d expect on a road mainly populated by greasy takeaways. A very pleasant surprise.

Another series of venues/bars I have enjoyed in my short time as a Manchester resident is Trof with locations in the Northern Quarter, Fallowfield and The Deaf Institute off Oxford road. The atmosphere is dark and smoky (a great achievement with the indoor smoking ban!) the soundtrack always decent, the cocktails are potent and tasty and the newest music talent is always lined up to play live gigs at The Deaf Institute. Got tickets booked to see Metronomy in Jan!

Culture.

Probably not quite so secret a cultural gem; The Cornerhouse,70 Oxford St, is an art house cinema, gallery, book shop, bar and restaurant/café spreading across 3 floors.

Currently showing in the gallery of particular interest is the work of Kim Thompson her work ‘reveals a fascination with the possibilities of line and mark making.’ showing until 5th Jan 2011.

 My last trip to the Cornerhouse was to see Soul Boy in the cinema; an amazing film depicting the Northern Soul scene at it began its inevitable demise in the late 70’s/ early 80’s with style and accuracy.

One possibly underrated cultural sight that I have visited in my short time here is (now don’t be scared off by the name!) the catholic church of ‘The Holy Name of Jesus’ directly across from Manchester Academy on Oxford Road. Design in a 14th Century French Gothic Style, the Church has no spire, so from the outside it doesn’t look quite as impressive as some.

However, I urge you to venture inside (all are welcome catholic or no) and experience exquisite tranquillity in the midst of a bustling city. Stunning stained glass, sculpture, gold leaf and religious iconography is visible at every turn. A stunning feature of note is the several giant oyster shells filled with holy water (so unusual and decadent).

Described in a written work as ‘a design of the very highest quality and of an originality nowhere demonstrative.’ Sir Nikolaus Pevsner, author of the volumes ‘Buildings of England’.

I hope these few intriguing places have urged you to further explore your own local city and given you some ideas for your next visit to sunny Manchester, thanks for reading!

Leah

xxx

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The Man Repeller.

A reluctant feminist and advocate of weird, wonderful couture fashion. Prominent blogger ‘The Man Repeller’ provides a lively, intelligent and very witty commentary to images of her experimental yet very chic personal style and photographs she has taken of others who bravely make ‘man repelling’ style choices. Whether that be wearing gigantic insect shaped jewellery or shoes that are designed to look three sizes too big, these may be beautiful, exciting new trends to us but to many a heterosexual man they can be very confusing.

The Man Repeller’s tongue in cheek approach to couture fashion is refreshing, open minded and very cool. When reading her blog it quickly becomes very clear that it is not anti-men in anyway, it is just a girl expressing her enthusiasm for art and fashion who simply wants to inspire women to play with dress in a way that isn’t restricted to their fear of whether a man will find it attractive. Dressing with this level of confidence and freedom is an inspiring and empowering prospect and it makes this blog a truly fascinating read.


By Leah Stone.

Interview-
Iakovos Kalaitzakis.

Iakovos Kalaitzakis’ work is dramatic and powerful. It delivers a strong message about luxury, beauty and decadence. Impeccable style and theatrics are key to his signature approach and this has all contributed significantly to his success. With editorials for Vogue, Instyle and L’Officiel to name a few, Iakovos is certainly one to watch. We caught up with the man himself following his exclusive shoot for Radia Magazine;

Hailing  from the Greek island of Crete, Iakovos grew up with a passionate interest in make up, hair styling and fashion and realized he would like to combine these talents using photography.

After studying fine art and photography he began to work as a make-up artist for fashion magazines in Greece and abroad, making a successful living for 10 years.

In 2004 Iakovos received an award from the international Canon Profashional Photo Awards for his photography and then immediately started working professionally within the field.

It was Iokavos’ earlier work as a makeup artist that helped him to get that first step into the notoriously competitive fashion industry as a photographer as he had already worked with ‘fashion magazines, cosmetics and music companies as a make-up artist and then many publishers and managers of companies trusted me as a photographer.

So, it was easier for me to work from the beginning in large photographic productions, magazines, campaigns and c.d covers.’

With work for some world famous publications under his belt Iakovos stays grounded and approaches each one of his projects with the same vigor  All the shoots for me have the same gravity and I always feel the same whether it is for fashion magazines, campaigns, c.d covers, celebrities…

I'm in love with my job and always have a lot of energy to spend on it and am always trying to achieve a certain perfection within my work.’

Iakovos’ future aspirations are to pursue more projects outside of his native Greece particularly in the European and American Fashion and Publishing Industries.

Iakovos describes a typical working day; When I have a photo shoot, I go to the studio or to the location, discuss the concept, make-up and hair, with the stylist, fix the lighting with my assistant and start shooting. I prefer to dedicate one day to a photo shoot and the other day to post production and retouch, but this is usually difficult because I have many photo shoots in the same period.’

Iakovos reveals the concept behind his exclusive shoot fro Radia ‘it is in Liverpool Station with amazing Holly Hallam from Select model management, she strikes a series of expressive poses at one of the busiest stations in London. She gets dolled up in some standout looks, Holly seems resplendent and fresher than ever. The story is just chic and simple but what we like the most about it is the mix of designers – Chanel with Alexander McQueen -Acne with Ysl that makes the clothes considerably more interesting.’

http://www.iakovoskalaitzakis.com/

By Leah Olivia Stone.

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To Dior or not to Dior?
The Marc Jacobs debate.

As speculation is rife regarding Marc Jacobs taking the helm as Dior’s head designer and the media whips itself in to a headhunting frenzy; here at Radia we consider the reality of this move. How it would affect the brand? Would we be experiencing a simpler, less classical design ethic at Dior? Would style and trend come before theatre? And how would Jacobs fair at designing couture? One look at Galliano’s many collections for Dior makes it clear that Jacobs, despite his effortless quirky cool, still has some very large, beaded and bejewelled boots to fill.

Luckily, due to Galliano’s shameful and swift exit, should Jacobs chose to make the move, he will be welcomed with open arms as a character who has managed to keep his reputation professional and his public persona smart, together and easy going.

With Jacobs’ contract up at Louis Vuitton, the timing couldn’t be better, so expect to see a dose of the humour and contemporary design mixed with Dior’s timeless ‘New Look’.

Givenchy’s Ricardo Tisci is also rumoured to be in line for the role but here at Radia we feel Jacobs and his commercially creative, brand focused talent would only serve to benefit Fashion power house Dior.

By Leah Olivia Stone.

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James Gardner and the Fashion Powerhouse.

James Gardener is a name you probably don’t recognise. It is probably not a name you would associate with the biggest luxury fashion brands in the world. But you should.

James Gardner is an important name when it comes to fashions digital outreach. By digital I mean video, photography, social media and online shopping combined to create the perfect modern marketing strategy.

Gardner’s company ‘Create the Group’ are leading the way in transforming global brands to digital media. Having access to your preferred brands online is hugely important to their growth and survival in this digital age.

Gardner’s company is responsible for giving luxury brands the ultimate internet make-over. ‘Create the Group’ believes, ‘A digital revolution is creating new patterns of human association and radically reshaping the way brands do business.’

Connecting the digital and the emotional; ‘Create the Group’ intends to connect a brand with their customer through their Wifi, but still intend on offering the personal, bespoke service they would receive in any of the brands stores.

‘Create the group’ aim to put the same passion and sensitivity into digital media as a fashion designer would to their own catwalk collection. The group proudly represents a plethora of fashions most luxurious brands including amongst them, the achingly cool Alexander Wang, best of British Burberry, decadent La Perla lingerie and Phoebe Philo’s Celine.

‘Create the Group’ are fashion’s best kept secret and a must have for any brand wanting to give 5 star internet service. As a substantial part of fashions future James Gardener and ‘Create the Group’ are big names in the fashion industry and it looks like its going to stay that way.

By Leah Olivia Stone.

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No More Lilac Ponies.
Tim Walker ventures into film.

Fairytales, miles of chiffon and frills, dilapidated stately homes, childhood nostalgia, delicate beauty, hundreds of balloons, surreal femininity, softly dappled light, oversized props, pastel coloured kittens and ponies….

These are just a few of the wonderful things that come to mind when thinking of Tim Walkers signature photographing style. But these saccharine drenched snaps are just a sample of the artistic creativity Walker is capable of. With a his early experience of film production at art school, Walker is now about to embark on his very first short film ‘The Lost Explorer’. Whilst still working to achieve the visual standard of his very recognisable fashion photography; Walker has taken his vision in a new direction with the story of ‘The Lost Explorer’. It promises to be darker and more intense than his current portfolio of work which includes campaigns for Juicy Couture and Mulberry (both of whom have helped with funding Tim’s new feature.)

‘The Lost Explorer’ is loosely based around a story by Pat Mcgrath in the collection ‘Blood, Water and other tales.’. It tells of a young girl who stumbles upon and tent strangely set up amongst the brambles whilst playing in her family garden, she finds inside a dying explorer suffering from malaria and grasping a revolver.

Walker expands on this theme and noteably includes a story from his own childhood ‘'Ages ago someone told me how, in Victorian times, there were canary clouds over the Atlantic,’ this was due to the west’s penchant for exotic birds to keep as pets, the ships carrying them would let them free to fly over the middle of the ocean until they  are utterly exhausted and drop back onto the ship ready for a life in captivity. Walker worked hard to create the beautiful sight of thousands of tiny pale yellow featherered creatures floating over the atlantic like a fluffy cumulonimbus and it promises to be a pivicol scene in the piece. Beautiful yet sad, nosltalgic but painful ‘The Lost Explorer’ promises to be a cinematic masterpiece that will no doubt inspire countless fashion designers as they develop collections for next year and not a lilac pony in sight.

by Leah Stone.

Interview-
Yoshiko Creation Paris




Successful Jewellery designer Yoshiko Kajitani started within her profession at the age of 21 as an assistant at a haute couture jewellery studio and made her debut at Colette Paris in 1999. It was to be the start of a lustrous and fruitful career in fashion.
‘Creation has been as natural as speaking to me since I was very young, I always feel so happy to develop my designs with curiosity and passion.’
With pieces in her repertoire based on anything and everything from flora and fauna, eagle claws and beaks, the human anatomy and leopards; Yoshiko cultivates her curiosity and passion with ease to produce exquisite pieces of jewellery design.
Yoshiko draws her inspiration from the universe, life, emotions, the sound of the wind. Yoshiko is a creative through to her very soul and it is this mindset that has helped her achieve so much within her creative field. Her boundaries are limitless, and this becomes even more apparent when you look at her work history, having collaborated with Converse, Swarovski and Y’s red Label (of Yohji Yamamoto inc.) .
The fantasical ‘Umbrella Hat’ by Yoshiko Creation Paris has also been worn by the infamous Lady Gaga after being specially selected for her by her stylist Nicola Formichetti whom regularly uses Yoshiko’s work.
Popular amongst the elite; Princess Stéphanie of Monaco, Countess of Polignac and The Morrocan Royle family have bought pieces from Yoshiko Creation Paris and the brand is well known among artists in Japan and across Asia.
Yoshiko believes that her work should left open for interpretation by each individual and this allows each piece to become very personal to its owner. Yoshiko allows her work to become a part them and relishes this.
Yoshiko’s method to designing is very organic and simply comments that ‘there is a point where a visual design intersects a concept. I just keep creating until those two points meet.’
With an incredible future collection being developed which will be inspired by fossils there is no doubt that Yoshiko Creation Paris is an artistic asset to the fashion industry.
By Leah Olivia Stone.

Tali Lennox, who’s that girl?

Predictions told us she would be this year’s “the one to watch”, but we couldn’t quite of anticipated the future arriving so quickly for young aspirational model, Tali Lenox; the newest and brightest star of fashion 2011.

It seems designers adore nothing more than seeing musician’s eponymous daughters walking the catwalk.

It all began in 1997 when Sir Paul McCartney’s fiercely talented daughter Stella was appointed in Paris as Chloe’s creative director, the trend of musical legend’s offspring becoming fashion’s adolescent muses soon began. Stella was later followed by a long list of music’s other daughters making their fashion debuts, such as Georgia May Jagger, the Geldoff sisters, Daisy Lowe, and now the most recent of bright young things to join the ultimate rock band, Tali Lennox. 

Aside from being the youngest daughter of 80’s music legend Annie Lennox, Tali is stepping out of her mother’s shadow and into the brightest of lime lights.

The archetypal British beauty first gained recognition when scouted for her “classic” looks by Swedish cult label Acne. Jonny Johansson, Acne creative director said of Tali; 'I was in Lismore Castle in the summer. It inspired me to do something incredibly classic that I have never done before' which Tali's classical beauty and fresh-faced youth embodies completely.”

It seems the world’s largest fashion houses are in harmony, as  she went on to walk Burberry, Christopher Kane, Jaeger, Jonathan Saunders, Prada, Missoni, Versus, Roberto Cavalli, Kenzo and Miu Miu in their Autumn/Winter 11 collections.

Akin to her mother, Tali Lennox is also becoming a style icon in her own right, with appearances at fashion’s most anticipated events and sharing her style knowledge on Vogue’s “Today I’m wearing.”

Tali carved a name for herself in the notoriously difficult fashion industry in less than a month. Critics believe that this speedy rise to fame is simply due to her ‘rock child’, ‘it girl’ status. However, we know this much; Tali Lennox has arrived, and we will be admiring her style and beauty for many seasons to come.

By Rebecca Catlow.

Edited by Leah Stone.

A rare portrait, Louis Vuitton and Sam Taylor-Wood.

It is thought that around 2.5 billion photographs are uploaded on to Facebook every day. For this reason I don’t think it would be entirely wrong of to state; film photography as an art form is becoming more and more elusive. We live in a world where capturing a moment can take less than 3 seconds and deleting that moment can take less. We live in a thriving digital age, where a typical photo album consists of Friday night’s escapades. Amidst a society that takes pleasure from taking up to 258 fast and frequent pictures in one night, it is a breath of fresh air when a global luxury brand choses to embark on a new photography project which has developed in to a mission to capture unique moments in time.

French fashion house Louis Vuitton holds long standing tradition and a proud heritage high on their list of brand attributes. This is no different when it comes to the history of developmental photography. In result of this, they have come up of a modern yet timely concept that encapsulates tradition of photography and an authentic image, with modern on-line distribution. “Double Exposure” is the title of their new campaign; an age old photographic process that depicts time standing still. The brand commissioned the project in the hope of counterbalancing the modern world’s fast and disposable media culture. 

Their chosen style of portraiture reveals two sides of a subject’s life including some of their most treasured possessions and personal artifacts.  Sam Taylor Wood chose an inspirational book by pop artist Andy Warhol, a postcard image of Francis Bacon that connects Wood with her address in London’s Primrose Hill, and a witty memento from her directorial feature film, ‘Nowhere Boy’.  The campaign uses short films that demonstrate the collodion process (a Victorian method of photography) which involves the sitter holding a still pose for 20 seconds at a time. Each of the short films will uncover two facets of the person. Firstly, personal insights captured on film, via some treasured belongings connecting to memories and feelings of nostalgia for the subject. The second is a photographic exposure brought to life in a distinctively sophisticated portrait.

Acclaimed British photographer and conceptual artist Sam Taylor Wood is first to grace the campaign, "It's a beautifully slow, arduous and a painstaking process, and I like that". Taylor Wood said of the 19th Century collodion photographic process. "I like the difference between this and how speedy everything is today, including the way we take pictures."

Written by Rebecca Catlow

Edited by Leah Stone

All the world’s a stage, Minimal vs Maximal fashion.
Part 1
Shakespeare once wrote “All the world’s a stage.” and when it comes to the world I hold most dear, I could not agree more. For me, each new fashion season means one thing, a time of theatrical extravaganza, where avant-garde costume comes alive through the eyes of the fashion world’s most talented.
A catwalk show should be the ultimate celebration of just how fantastical and dramatic a collection of garments can be. That moment in time when the music starts, the lights come up, a lithe silhouette appears in the distance and the audience become lost in the designer’s untamed vision.
However, on the eve of Paris’s final fashion show I was left with a somewhat sour taste in my mouth, and had to ask the question, is so called ‘good taste’ and simplicity destroying the fierce creativity of catwalk shows?
This season’s sleek utilitarian looks have been confirmed at the highest echelons of style by the fashion elite, and it seems even the most fanciful types have stripped back to basics in the name of minimalism. Obeying this bleak and boring look seems to be the stylish choice amongst trend setters. However I feel that being British, it is in my heritage to be eccentric, ferociously innovative and overtly wild, because when it comes to fashion, it really is in our genes. Alexa Chung said herself, ‘London has the best street style in the world, fact.’

Part 2
On my recent research trip to New York, I was shocked at just how simplistic New Yorker’s can be when it comes to fashion. Known for their extrovert personalities and over the top characteristics, when it comes to the style of New Yorkers there was little left to be desired.
However I found that the minute I walked into Barney’s department store the shop manager instantly recognized that I was British. Clearly thrilled, he exclaimed “Oh my god! You look amazing, look at you doing it for all the British girls, you all look so crazy and creative, there is nothing like it over here, we love British fashion!”

The minimalist style I was exposed to in New York was simply something I just refuse to digest. Although I am in awe of iconic 90’s designer Calvin Klein building his empire purely off the back of minimalism alone, I can’t help thinking that this statement is for those who have no statement to make and nothing to say.

If minimalism is the future of fashion, it seems creativity is a thing of the past. So join me in the anti-minimalist movement! Don your hats and accessories, embellishment and frills, bold patterns and colours; as Charles Wright and the Watts 103rd street rhythm band says, ‘Express Yourself!’

By Rebecca Catlow

Edited by Leah Stone
                                        Rei Kawakubo’s ‘Beautiful Chaos’.

All Comme des Garcons advocates will know just how chaotic finding just one piece from their collections can be. This is due the brands visionary and creator Rei Kawakubo. Kawakubo’s intense and fantastical pieces are so in-demand that it is almost impossible to get hold of the extraordinary garments presented on each season’s catwalks.
However, to those lucky enough to be living or travelling to Beijing this is all about to change as Rei Kawakubo is bringing her multi- brand concept to the heart of the city, opening an impressive 19,000 square foot emporium, which will hold an eclectic assortment of brands. In a joint grand opening with the new Bathing Ape store ‘The I.T.’
Beijing Market will present a large retail capacity, joining retail power house I.T with the iconic Dover Street Market London, in hope of re-creating Rei Kawakubo’s vision of a “beautiful chaos.”
Similar to it’s multi- brand flagship store, Dover Street Market in London, the four story space will combine the 15 Comme des Garcon labels along with other collections hand-picked by Kawakubo herself, such as Rick Owens, Maison Martin Margiela, Yves Saint Laurent, Kitsune and Ann Demeulemeester, are to name but a few.
It all began in 2004, when Kawakubo pushed boundaries for her “beautiful chaos” vision, when she opened the now highly respected, Dover Street Market in London.  She described the concept as “a kind of market where various creators from various fields gather together and encounter each other in an ongoing atmosphere of beautiful chaos: the mixing up and coming together of different kindred souls who all share a strong personal vision.”
Now she’s re-duplicating her vision to be bigger, better, and a tad more chaotic and all this set within China’s ancient capital city and cultural center, Beijing.
By Rebecca Catlow.
Edited by Leah Stone